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Online campaign: Toss stroller restrictions on CTA buses

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An online campaign to toss the CTA's controversial stroller restrictions on buses is gaining steam among parenting groups on social media.

Michelle Parker, of Lakeview, drafted an online petition asking for stroller users to have the same rights as wheelchair users after a bus driver told her she had to fold her stroller to board a bus on the North Side on Saturday. The petition, which Parker plans to submit to the CTA, has garnered more than 160 signatures as of Tuesday afternoon.

The CTA's stroller policy is one of the most divisive rider issues. Stroller users are encouraged to fold their strollers before entering the bus if the bus is crowded. Strollers may remain open in priority seating unless a senior or rider with a disability needs the space, according to CTA rules.

Federal law requires the CTA and other transit agencies to designate priority seating to seniors and riders with disabilities. CTA spokeswoman Catherine Hosinski said children in strollers are welcome on the CTA but there is a hierarchy for who gets priority seating first: riders in wheelchairs or scooters, riders with other physical disabilities not in mobility devices, the elderly, expectant mothers and riders with children in strollers, and then everyone else.

Some riders have pushed the CTA to strengthen their policy to require all riders to fold their strollers, a rule on Pace suburban buses. But Parker and those who signed the petition are asking for priority seating to be designated for strollers, in addition to people in wheelchairs and seniors.

"I think at the end of the day, it's recognition that for very young children ... strollers are their wheelchairs," said Parker, 36.

Parker said when she has boarded a bus with her young kids in a stroller, she has encountered hostility from bus drivers who refuse to lower the bus so she could board-and from other riders who say rude comments as she boards.

Complaints about strollers on buses are a regular topic at CTA meetings that allow comment from the public. The CTA tried to quell some of these frustrations in 2012 when the agency launched a stroller awareness campaign.

Bus drivers handed out fliers encouraging riders to "Be Stroller Savvy" and use small, umbrella strollers and fold the stroller when the bus is crowded.

In the six months after the campaign, stroller complaints were down 60 percent, CTA president Forrest Claypool said last year.

But Parker is hoping the CTA will revisit its policy and tell drivers to be more accommodating to riders with strollers.

"I am hoping it's an easy fix for them and it doesn't turn into world war three but we'll see," Parker said.


Jury finds Pharrell, Thicke copied Marvin Gaye song for 'Blurred Lines'

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A jury awarded Marvin Gaye's children nearly $7.4 million Tuesday after determining singers Robin Thicke and Pharrell Williams copied their father's music to create "Blurred Lines," the biggest hit song of 2013.

Gaye's daughter Nona Gaye wept as the verdict was read and was hugged by her attorney.

"Right now, I feel free," she said outside court. "Free from ... Pharrell Williams and Robin Thicke's chains and what they tried to keep on us and the lies that were told."

The verdict could tarnish the legacy of Williams, a reliable hit-maker who has won Grammy Awards and appears on NBC's music competition show "The Voice."

He and Thicke are "undoubtedly disappointed," said their lead attorney, Howard King.

"They're unwavering in their absolute conviction that they wrote this song independently," he said.

Thicke and Williams earned more than $7 million apiece on the song, according to testimony.

King has said a decision in favor of Gaye's heirs could have a chilling effect on musicians who try to emulate an era or another artist's sound.

Larry Iser, an intellectual property attorney who has represented numerous musicians in copyright cases, was critical of the outcome.

"Unfortunately, today's jury verdict has blurred the lines between protectable elements of a musical composition and the unprotectable musical style or groove exemplified by Marvin Gaye," Iser said. "Although Gaye was the Prince of Soul, he didn't own a copyright to the genre, and Thicke and Williams' homage to the feel of Marvin Gaye is not infringing."

Gaye's children - Nona, Frankie and Marvin Gaye III - sued the two singers in 2013.

Their lawyer, Richard Busch, branded Williams and Thicke liars who went beyond trying to emulate the sound of Gaye's late-1970s music and copied the R&B legend's hit "Got to Give It Up" outright.

The family "fought this fight despite every odd being against them," Busch said after the verdict, which could face years of appeals.

Thicke told jurors he didn't write "Blurred Lines," which Williams testified he crafted in about an hour in mid-2012.

Williams testified that Gaye's music was part of the soundtrack of his youth. But the seven-time Grammy winner said he didn't use any of it to create "Blurred Lines."

"Blurred Lines" has sold more than 7.3 million copies in the U.S. alone, according to Nielsen SoundScan figures. It earned a Grammy Awards nomination and netted Williams and Thicke millions of dollars.

The case was a struggle between two of music's biggest names: Williams has sold more than 100 million records worldwide during his career as a singer-producer, and Gaye performed hits such as "Sexual Healing" and "How Sweet It Is (To be Loved by You)" remain popular.

During closing arguments, Busch accused Thicke and Williams of lying about how the song was created. He told jurors they could award Gaye's children millions of dollars if they determined the copyright of "Got to Give It Up" was infringed.

King denied there were any substantial similarities between "Blurred Lines" and the sheet music Gaye submitted to obtain copyright protection.

Williams has become a household name - known simply as Pharrell - thanks to his hit song "Happy" and his work as a judge on the "The Voice." He wrote the majority of "Blurred Lines" and recorded it in one night with Thicke. A segment by rapper T.I. was added later.

Williams, 41, also signed a document stating he didn't use any other artists' work in the music and would be responsible if a successful copyright claim was raised.

The trial focused on detailed analyses of chords and notes in both "Blurred Lines" and "Got to Give It Up."

Jurors repeatedly heard the upbeat song "Blurred Lines" and saw snippets of its music video, but Gaye's music was represented during the trial in a less polished form. Jurors did not hear "Got to Give It Up" as Gaye recorded it, but rather a version created based solely on sheet music submitted to gain copyright protection.

That version lacked many of the elements - including Gaye's voice - that helped make the song a hit in 1977. Busch called the version used in court a "Frankenstein-like monster" that didn't accurately represent Gaye's work.

An expert for the Gaye family said there were eight distinct elements from "Got to Give It Up" that were used in "Blurred Lines," but an expert for Williams and Thicke denied those similarities existed.

Gaye died in April 1984, leaving his children the copyrights to his music.

Associated Press

Feminists in a digital age pay a steep psychological price

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Jessica Valenti is one of the most successful and visible feminists of her generation. As a columnist for the Guardian, her face regularly appears on the site's front page. She has written five books, one of which was adapted into a documentary, since founding the blog Feministing.com. She gives speeches all over the country. And she tells me that, because of the nonstop harassment that feminist writers face online, if she could start over, she might prefer to be completely anonymous. "I don't know that I would do it under my real name," she says she tells young women who are interested in writing about feminism. It's "not just the physical safety concerns but the emotional ramifications" of constant, round-the-clock abuse.

This is a strange, contradictory moment for feminism. On one hand, there's never been so much demand for feminist voices. Pop stars such as Beyoncé and Taylor Swift proudly don the feminist mantle, cheered on by online fans. After years when it was scorned by the mainstream press, the movement is an editorial obsession: Sheryl Sandberg's "Lean In," Lena Dunham's "Not That Kind of Girl," Roxane Gay's "Bad Feminist" and Amy Poehler's "Yes Please" occupy, and sometimes top, bestseller lists. "Stories about race and gender bias draw huge audiences, making identity politics a reliable profit center in a media industry beset by insecurity," Jonathan Chait recently wrote in New York magazine - a proposition that would have been unthinkable a decade ago.

On the other hand, while digital media has amplified feminist voices, it has also extracted a steep psychic price. Women, urged to tell their stories, are being ferociously punished when they do. Some - particularly women who have the audacity to criticize sexism in the video-game world - have been driven from their homes or forced to cancel public appearances. Fake ads soliciting rough sex have been placed in their names. And, of course, the Twitter harassment never stops. "Being insulted and threatened online is part of my job," Lindy West, formerly of Jezebel, recently said on "This American Life." Adds Jamia Wilson, executive director of the feminist advocacy group Women, Action and the Media, "It really can affect the way that people feel about themselves."

Feminists of the past faced angry critics, letters to the editor and even protests. But the incessant, violent, sneering, sexualized hatred their successors absorb is harder to escape. For women of color, racial abuse comes along with the sexism. "I have received racialized rape threats that I don't think I would necessarily receive if I were white," Wilson says. "A lot of things about anatomy - black women's anatomy." She finds herself talking about the online abuse in therapy, she says. "There is trauma, especially related to the death and rape threats," she says. Eventually, such sustained abuse ends up changing people - both how they live and how they work.

In her epochal book "Backlash," Susan Faludi described the anti-feminist cultural messages of the 1980s as a "relentless whittling-down process" that "served to stir women's private anxieties and break their political wills." Today's online backlash may be even more draining. It saps morale and leads to burnout. "You can't get called a c--- day in, day out for 10 years and not have that make a really serious impact on your psyche," says Valenti, who thinks about quitting "all the time." Just how long can this generation of feminists endure?

Uppity women, of course, have long been targets of rage and contempt. In 1969, when Marilyn Webb spoke about feminism at an antiwar demonstration in Washington, many of the men who were listening erupted, screaming at her to strip and demanding that she be pulled down and raped. Feminists of the second wave regularly contended with real-world hostility from left-wing men that would be inconceivable today. Nona Willis Aronowitz, features editor at Talking Points Memo, is the daughter of the revered late feminist writer Ellen Willis, who wrote for publications including the Village Voice and the New Yorker. "Forget random online commentators - people who were working at her same publications were total sexists," Aronowitz says. Male Voice staffers, Willis once wrote, regularly referred to their female colleagues as the "Stalinist feminists."

So stories today about Internet abuse inevitably elicit cliches about heat and kitchens - demands that women toughen up and grow thicker skin. Punditry and activism, after all, are relatively cushy gigs. Reading "nasty virtual tweets" is far better than being "an undocumented immigrant trying to feed your family in America, or somebody who is wrongfully incarcerated, or any of the issues I used to work on," acknowledges Sally Kohn, a Daily Beast columnist who was previously the only left-wing lesbian feminist contributor at Fox News, making her an especial target for trolls.

Yet try as women might to brush them off, the online pile-ons can leave them reeling, says Aronowitz. Some young writers have told her, only half-jokingly, that they feel like they have PTSD. "Are they not going to write a piece like that again because they're afraid of the online hate?"

Indeed, some are not. In 2013, the pro-choice activist Jaclyn Munson wrote about going undercover at an anti-abortion crisis pregnancy center. Soon a stalker was sending her death threats. They scared her so much, she started sleeping with the lights on. A year ago, exhausted and depleted, she largely gave up writing online, deleted her Twitter account and now plans to go to law school, which she hopes will let her work on the issues she cares about in a safer, less exposed way. "It was just becoming really emotionally overwhelming to be on the front lines all the time," she says.

Part of what's different now is the existence of organized misogyny, with groups of men who are angry at feminism gathering under banners such as the Men's Rights Movement and Gamergate, a diffuse network of video-game enthusiasts furious at attempts to curb sexism in the industry. Back in the 1980s and 1990s, "the mainstream culture of the media was more anti-feminist. That was when you had all that 'feminism is dead, all women just want to get married' kind of stuff," says columnist Katha Pollitt, my colleague at the Nation. "But the men's rights people, Gamergate, that's new. There is this cadre of incredibly enraged men who have all found each other."

Perhaps, Pollitt says, it's "a sign of our success" that the anti-feminist backlash is mostly digital. But when online misogynists decide to target a particular woman, they often have access to an unprecedented amount of personal information about her. "Back when everything was just in print, you wrote your piece, but you didn't have photographs of yourself up everywhere," Pollitt says. "People didn't know where you lived, they didn't know anything about your private life. It's very qualitatively different now."

Once a woman is singled out by a men's rights group such as A Voice for Men, the misogynist Reddit forum The Red Pillor even just a right-wing Twitter account like Twitchy, she is deluged with hatred. The barrage, in addition to scaring its target, serves as a warning to onlookers. Jill Filipovic, a senior political writer covering feminist issues at Cosmopolitan, says she recently tried to persuade a friend to run for office. "There's several reasons why I wouldn't want to do it, but one of them is that I follow you on Twitter, and I see what people say to you. I could never deal with that," the friend told her.

Many people can't. Last year, abortion rights activist Lauren Rankin pulled back from writing online and, for the most part, from Twitter because the threats and insults were becoming so wearying. She continues to serve on the board of the reproductive rights nonprofit A Is For and faces off against antiabortion protesters as a volunteer clinic escort, but she no longer engages publicly. "I don't like the idea that it seems like I was scared or intimidated away from the Internet," she says. "But I think I've recentered why I do what I do, in ways that I can maintain my mental sanity. Unfortunately, that really doesn't involve the Internet as much."

Filipovic, the former editor of the blog Feministe, says that, although her skin has thickened over the years, the daily need to brace against the online onslaught has changed her. "I doubt myself a lot more. You read enough times that you're a terrible person and an idiot, and it's very hard not to start believing that maybe they see something that you don't." She also finds it harder to let her guard down. "I have not figured out how to spend all day steeling against criticism - not just criticism, but really awful things people say to you and about you - and then go home and 30 minutes later you're an emotionally available, normal person."

Meanwhile, the creator of Feministe, Lauren Bruce, no longer has an online presence at all. "I had to completely cut that part off in order to live the rest of my life," she says. "In order to work, have a nice family and feel like I was emotionally whole, I could not have one foot planted in a toxic stew."

Women who want to brave the toxic stew face a dilemma. Online, the easiest way to get their message out is to make it personal. From Dunham to Sandra Fluketo Emma Sulkowicz, the most prominent feminist figures of recent years have all opened their lives to public scrutiny. First-person essays by women are huge drivers of Internet traffic. "I have tried to mentor a couple of young female writers," Valenti says. "They were trying so hard to get their first pieces published, and then they write something about their vagina, and all of the sudden the doors open up."

That self-revelation, though, brings an inevitable barrage of sadism. Consider the young women's site xoJane, which specializes in first-person narratives. Getting published there can be a big break, but writers rarely last long on the site. "We bring someone here, we develop them, they are able to make their name and their brand online, and the first chance they get they go somewhere safer, like print," says Emily McCombs, the site's executive editor. "Part of that is definitely not being able to handle the harassment."

McCombs herself has decided that her next job won't be online - which is to say, it will be away from the action. "As a result of choosing to be a writer online I have to read direct messages from trolls on my social media telling me how fat and ugly I am every day," she says. "There are whole forums on the Internet where whole groups of people discuss how badly I'm aging. There's only so long you can deal with that. I've watched a lot of women in this industry burn out."

Goldberg, a contributing writer at the Nation, is the author of "The Means of Reproduction: Sex, Power and the Future of the World."

Wednesday: Eat. Drink. Do.

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A '90's night, corned beef selfies for museum tickets and more things to do in Chicago on Wednesday, March 11.

EAT

Silverado Vineyards Wine Dinner

The Glunz Tavern

1202 N. Wells St. 312-642-3000

A four-course dinner with pairings from the California winery includes smoked whitefish with lemon-horseradish sauce and grilled steak with potato pancake. 6 p.m. $50.

DRINK

'90s Night

Henry's Swing Club

18 W. Hubbard St. 312-955-8018

Get a hearty dose of nostalgia at this weekly bash, which features screenings of '90s shows such as "Beverly Hills, 90210," music from the decade, $10 frozen cosmos and a rotating snack menu ($3-$6) including Hot Pockets and Bagel Bites. 5 p.m. No cover.

DO

'NHL '94' Sega Genesis Tournament

Mac's American Pub

1801 W. Division St. 773-782-4400

Play the classic sports game on one of two systems for a chance at winning sports memorabilia. The competition airs with sound on the bar's HDTVs. 7 p.m. No cover.

'The Walk Across America for Mother Earth'

Steppenwolf's Garage Theatre

1624 N. Halsted St. 312-335-1650

Red Tape Theatre presents Taylor Mac's play about two young friends who join a group of activists on a protest march from Washington, D.C. to Nevada. 8 p.m. $20. Tickets: steppenwolf.org

Damon Williams

The Promontory

5311 S. Lake Park Ave. West 312-801-2100

The Chicago comedian seen on HBO's "Def Comedy Jam" performs as part of a showcase featuring performances from Kevin Williams, Kristen Toomey and Just Nesh. 8 p.m. $15-$25. Tickets: promontorychicago.com

REDEYE TIP OF THE DAY

Post a photo at facebook.com/central.l.merchants of you eating a corned beef sandwich and you could win free admission to the Art Institute of Chicago.

Powdered alcohol gets federal agency's approval

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A powdered alcohol intended to be mixed up into drinks has gained approval from a federal agency.

The product, called Palcohol, had received the greenlight from the Alcohol and Tobacco Tax and Trade Bureau briefly last year before the bureau backtracked and said the label approvals had been given in error.

On Wednesday, bureau spokesman Tom Hogue told The Associated Press the issues were resolved and that four varieties of Palcohol were approved. But Hogue noted that states can also regulate alcohol sales in their borders.

The approval is a step forward for a small company whose product plans have already sparked controversy.

Several states have already moved to ban powdered alcohol, including lawmakers in Colorado who last month advanced legislation to temporarily halt its sale. Concerns have included abuse by minors and whether Palcohol's light weight would make it easy to sneak alcohol into public events.

Palcohol would come in a pouch, with water being added to the powder inside for the equivalent of an alcoholic drink.

A statement on the Palcohol website says the company hopes to have the product for sale this summer. Palcohol founder Mark Phillips noted the approval of his product in an email early Wednesday morning, but wasn't immediately available for further comment.

Hogue said the bureau's evaluation is centered on whether labels accurately reflect what's in the product.

"Potential for abuse isn't grounds for us to deny a label," he said.

Previously, Phillips had said he came up with the idea for Palcohol because he wanted a way to enjoy alcoholic drinks after hiking or other activities without having to lug around heavy bottles.

Associated Press

Brookfield Zoo innovations has animals foraging for food

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When red pandas go on exhibit for the first time at Brookfield Zoo in July, they'll be housed around a broad tree that looks like a giant bonsai and has magical qualities.

At semirandom intervals throughout the day, food will drop automatically into stainless steel cups expertly fitted into what look like huge knotholes in the "tree," a construction of welded metal, plastic mesh and concrete.

The red pandas - telegenic, frequently erect-standing relatives to raccoons, rather than to bears or giant pandas - will learn that the cups sometimes contain food, sometimes not. In this way, the theory goes, they'll also stay metaphorically on their toes, engaged with their environment and steadily on the hunt for sustenance.

"Now the habitat provides, instead of the keeper," says Tim Sullivan, the zoo's curator of behavioral husbandry. "Food can appear, like in the wild."

Sullivan is helping to lead what he calls a paradigm shift at Brookfield, a revolution in the way its residents eat that is proving to have benefits for guests and animals alike. Instead of the old regimen of keepers delivering food two or three times a day on a set schedule, the zoo is working to propagate semirandom feeding devices throughout its 216-acre property in the near western suburbs. It's being used in 15 to 20 percent of exhibits now, but the goal is to get to near-blanket coverage within five years.

"My ultimate goal is to get every animal off the feeding plan," Sullivan says. "The story is always the same: We give the animals something else to do, and they're more than happy to do it."

At the heart of the efforts is the makeshift lab where Sullivan and fellow keeper Dan Powell play MacGyver by modifying existing devices, inventing new ones and puzzling out such problems as: What is the best way to deliver a cricket to a meerkat? (In a cardboard tube, on a slow-moving belt.)

Describing another concoction, Powell says, "Oh, it's a modification of a potato gun, really. It can rain food down on the whole exhibit, and the animal never knows where it's coming from." He pauses, and adds with a smile, "Plus, I got to make a potato gun at work."

The potato gun, which he is still calibrating and which will likely deliver cardboard tubes stuffed with different comestibles, will probably first be used in the Great Bear Wilderness, says Powell.

Some of their devices use modified coolers to keep chilled food fresh. One notion is to use melting ice as a timing mechanism. They'd love to install a pneumatic tube system that would deliver tubes made of gelatin, but half-million-dollar exhibit retrofits are not likely.

Among the supplies, there's a box full of automotive door locks and also turn-signal relays on hand, for remotely unlocking doors to food. Suppliers, apparently, love them because of the novelty. Says Sullivan: "They'll say, 'You're the one! What the hell are you doing with them at a zoo?'"

It's not the work they signed on for when they began careers as zookeepers, but it feels as vital to them as the aspects of animal husbandry that may be more familiar to visitors. Plus, says Sullivan, "We have to exercise our minds too."

"Our main reason for doing it is to create an overall holistic approach to animal welfare," says Bill Zeigler, the zoo's senior vice president of animal programs. "We believe that as animals do in the wild, they should do under professional care, and that is work for a living."

The result, in anecdotal observation and in two scientific papers Brookfield zoologists have authored, has been more active animals, which has equated to visitors spending more time in front of the animals.

"When an animal's in the wild," Zeigler says, "the first thing it does in the morning, it says, you know, 'I've got to find food.' And it doesn't get that 8:30 in the morning and 4 in the evening feeding." Such food drops can bookend a sort of torpor that produces, says Zeigler, a "couch-potato mentality."

Sharp-eyed visitors can see some of the devices already at work in Tropic World, the giant airplane hangar of an exhibit that showcases primates in habitats meant to evoke Asia, Africa and South America. At the top edge of one wall above the western lowland gorilla exhibit, there's a box shape covered in the same material military snipers use to hide their presence.

Inside the box is a device built and marketed for aquaculture, essentially fish feeding. A wide belt gets pulled around an opening to the back of the box. Food devices - in this case, custom-made, nontoxic cardboard tubes, like mini poster mailers - are stuffed with gorilla treats, such as grapes or Kool-Aid powder, and placed on the belt.

In normal operation, a mechanical clock mechanism slowly lets the belt move forward over a multihour cycle, dropping food out of the opening. Sullivan and Powell make the belt feedings both random and regular by always placing food on some parts of the belt while only sometimes doing so on other parts.

With the automatic door-opening devices that will fill the food cups in the red panda tree, low-voltage electricity is required, plus computer chips that Powell programs for the proper blend of regularity and randomness.

With the modified fish feeders, though, the power comes simply from winding the clock mechanism. "The only downside with this is we have to have gravity," Sullivan says.

Just east of the gorillas, the dry "riverbed" in the bottom of the Asia section has, as a companion points out when we enter, "a 'Hunger Games' feel." Being human in a wild animal habitat is anxiety-producing enough, but the steep walls and sense of being watched add to the feeling of menace.

Yet all we're doing, really, is feeding the Asian small-clawed otters. It's early morning, before the zoo opens and before the animals come out. Keeper Nava Greenblatt brings in a couple of modified coolers, the same kind you might use to bring drinks to a picnic. But a rectangular segment of the bottom of each has been cut out so food can slide into the soon-to-be-filled river.

The delivery mechanism is, once again, one of those modified belt feeders - the Pentair Aquatic Ecosystems 12-Hour Baby Belt Feeder, to be precise - sandwiched between blocks of blue ice to keep the food fresh. Greenblatt scatters a measured portion of frozen fish onto the belt, and the timing mechanism will move it forward to drop fish in at both expected and unexpected times.

(Semirandomization is key, Sullivan says, and an inspiration is "the algorithm that Vegas uses" for game payouts. Too irregular a pattern, and the animals lose interest. Too regular, and they lose motivation.)

In a system that's been in place for just a few weeks, Greenblatt places the cooler on a shelf a few feet above the river, then covers it with a section of camouflage cloth, and we head upstairs to watch from the visitor walkway. With the orangutans already in the habitat above them, and the gibbons behind them swinging with seeming recklessness from limb to rope, the otters are released into the exhibit.

They swim immediately toward the base of the cooler, looking for fish, but nothing has dropped yet. One otter even stands to get a closer look. They swim off to another cooler on the opposite bank. Still nothing. They shimmy onto, and then across, the center island. Minutes later, a second cooler trip still finds nothing edible in the water.

Then, from up above, we see a fish chunk drop and swirl about in the water - "food in potential," Sullivan calls it - and the otter that's been the most active is the one that finds it first. "We're seeing a lot more foraging, a lot more activity," Greenblatt says.

Keepers worried that such delivery methods might mean dominant animals would hog the food supply. But in practice, Sullivan says, the animals work it out, just like they do in nature. Aggressive animals might eat their fill first, but they all seem to be getting enough, as evidenced by more frequent weigh-ins to be sure.

For an even more unpredictable feeding, live fish are sometimes released into the river.

The ideas will probably need more scientific imprimatur to really spread through the zoo community, Sullivan said: A paper on the gorilla feeding is awaiting scientific journal and peer review.

On Chicago's North Side, Lincoln Park Zoo is trying something similar in its new Regenstein Macaque Forest exhibit, according to a spokeswoman. Automatic feeders that can be scheduled or turned on remotely will be tested "to track the animals' response to different feeding strategies," she said.

At Shedd Aquarium, frequent trainer interactions keep many animals engaged, said Lisa Takaki, senior director of marine mammals. And some of them get a version of timed-release, forage-encouraging food: fish chunks inside gelatin that they have to work to get hold of.

Brookfield's formal experiments started in the late 2000s, with a fennec fox study that proved semirandom feeding boosted animal activity and visitor engagement.

"It's important that animals don't simply wait for their people," said Jason Watters, a former director of animal behavior research at Brookfield who is now vice president of wellness and animal behavior at the San Francisco Zoo. "There had been previous attempts to do randomized feeds throughout the day and that kind of thing (including hiding of food). We sort of did it differently in a mixture of random and predictable. That's what worked out well."

Some early efforts to put this proof into action, in a program Watters calls "dynamic resource allocation," were crude.

Using PVC pipe and a hacksaw, according to Sullivan, he, Powell and Watters devised mechanisms that fit into a tree and provided irregular meals for a type of parrot, but the birds figured out how to just shove the food doors aside rather than wait for their automatic opening.

"Then you go to the people that actually have the (building) talent," Sullivan said. That would be people like Ian Edwards and Doug Young, who work in the exhibits department and have spent most of their winter crafting the red panda tree, a sort of version 2.0 of an automated feeder tree for lemurs that visitors can see inside Hamill Family Play Zoo.

"We're trying to service the keepers' requests and the animals' needs," says Edwards, who has a philosophical bent. "In the end, if it looks like we were never there, that's great. It's about providing a pedestal for the animals. But it's not about the pedestal. It's about the animal."

The tree should be done by April. A next big problem for Sullivan and Powell to tackle is a way to randomize delivery of big food to big animals. "How do you distribute two or three bales of hay to a hippo or a rhino in a timed way?" Sullivan wonders.

And, as is common at zoos, Sullivan is eagerly anticipating a new delivery. This one is not a new baby, though, but rather an order of 24 of the $200-plus Baby Belt Feeders. From there, "it's just left up to your imagination of how to solve the different exhibits," he says.

"The answer was always there," Sullivan says. "In the past, keepers have focused on filling the void (between feedings) with play. People said, 'The only types of enrichments animals use are ones that involve feeding.' Why not create foraging opportunities?"

sajohnson@tribpub.com

Twitter @StevenKJohnson

Police: Report of shots at Lil Wayne's home an apparent hoax

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An apparent hoax summoned a strong police response Wednesday to the home of rapper Lil Wayne after an unknown caller reported a shooting.

The call came in at 12:40 p.m. on a non-emergency line, Miami Beach police spokesman Ernesto Rodriguez said. The caller claimed four people had been shot at the waterfront home on an exclusive Miami Beach island.

The responding officers, including a heavily armed SWAT team, found no evidence of a shooting, no victims and no gunman. Rodriguez also said the owner of the home - Lil Wayne, whose real name is Dwayne Michael Carter - was not there at the time.

The rapper's representative, Chris Chambers, said Lil Wayne was in a recording studio when the incident took place.

"We can say for sure it was a hoax," Rodriguez said. "It's not a laughing matter."

The department said in a tweet that the phony call was an example of "swatting," in which people call in a false crime report to police in order to trigger a massive response.

"MBPD handles all calls of this nature in a serious manner," the department's tweet said.

Police spoke with house staff members and went through the eight-bedroom, 10-bath home, Rodriguez added. Police K-9 dogs were also deployed.

Property records show the home, featuring a rooftop pool and boat dock, was most recently assessed at $9.4 million.

Associated Press

 

Will Ferrell to play in five games, including Cubs and White Sox, on Thursday

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GLENDALE, Ariz. -- White Sox center fielder Adam Eaton and pitcher John Danks grew up being entertained by comedian and actor Will Ferrell.

They expect the entertainment to continue on the baseball field Thursday when Ferrell will play all nine positions in five spring training games across the Phoenix area, including the Sox and Cubs games.

Ferrell, who reportedly will be shuttled to the games by helicopter, is doing the stunt for an HBO special that will be aired later this year. He will join the Cubs in their game against the Angels at Tempe Diablo Stadium at 3:10 p.m. Central Time. He will head to Camelback Ranch for the Sox game against the Giants at 6:05 p.m.

"He's awesome," Eaton said. "We're excited to meet him, and hopefully he does something special on the diamond."

Ferrell is honoring the Athletics' Bert Campaneris, who 50 years ago became the first player to play every position in a major league game. Ferrell is also dedicating the event to cancer awareness, and his game-used gear from the day will be auctioned off at MLB.com.

Eaton and Danks, who both named "Step Brothers" as a Ferrell movie they enjoyed, aren't expecting much more than humor from Ferrell when he takes the field.

"I don't expect a homer," Danks said. "I'm sure he's just trying to make contact. I imagine it won't be a quick at-bat. He probably has some sort of antics."

"I think he's going to find out how difficult baseball is extremely quick," Eaton said. "It's difficult to jump right in there and expect to show somebody something. It's a lot of pressure for him, so it should be interesting."

It won't be the first time a celebrity has suited up for spring training. Country singer Garth Brooks has played in the spring with the Padres, Mets and Royals.

MLB Commissioner Rob Manfred said in a release that spring training is an appropriate setting for the event.

"Will is a big fan of our game, and many of us in baseball - among our clubs, players and our millions of fans - are big fans of his," Manfred said. "Major League Baseball is happy to take part in what will surely be a fun and memorable day for a great cause."

Here's Ferrell's complete schedule, subject to change. (All times are Central.)

2:05 p.m.: Mariners at Athletics (HoHoKam Stadium)

3:10 p.m.: Cubs at Angels (Tempe Diablo Stadium)

4:10 p.m.: Reds at Diamondbacks (Salt River Fields at Talking Stick)

6:05 p.m.: Giants at White Sox (Camelback Ranch)

8:15 p.m.: Dodgers at Padres (Peoria Stadium)


Tyson Beckford to strip down as Chippendales' latest guest host

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Tyson Beckford and his washboard abs can next be seen in Chippendales' spring revue. 

The former "America's Next Top Model" judge will be stripping down on the Las Vegas Strip and strutting his stuff during a four-week run of the stage show, which debuts on April 30 at the Rio All-Suite Hotel and Casino.

"I am really excited to join the Chippendales show in Las Vegas," the 44-year-old said in a statement on Wednesday. "These guys provide a flirty and sexy yet playful experience for women, and being a part of that party each night just seems like fun."

The "Make Me a Supermodel" host, who has also acted and produced, broke out in the modeling world in 1994 and has appeared in several Ralph Lauren campaigns. He also appeared in 2001's "Zoolander," in Britney Spears'"Toxic" music video and Toni Braxton's "Unbreak My Heart" video.

Beckford isn't the first celebrity to guest host the bachelorette party-friendly 18-and-older show with the erotic dancing troupe. "Sharknado" and "Beverly Hills, 90210" alum Ian Ziering headlined the burlesque show and sold out a six-week run in summer 2013 and another six-week run last summer.

Follow me on Twitter @NardineSaad.

Here, Laddy! Chicago ranks 6th in most Irish dog breeds

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Turns out Chicago's Irish population is bigger-and significantly furrier-than we thought. In fact, when it comes to cities with an influx of Celtic canines, a new survey from dog-sitting site Rover.com suggests Chicago is one of the country's luckiest. The Windy City ranked sixth in the 2015 survey's list of cities with most Irish dog breeds, behind San Francisco, Boston, New York, Seattle and Los Angeles. In the variety of other St. Patrick's Day-themed dog-data categories the survey measured, however, we didn't exactly hit any pots of gold. But hey, at least we still have our setters and wolfhounds, right? Check out more survey results below. 

 Cities with most Irish dog names:

  1. Louisville, KY
  2. Milwaukee, WI
  3. Hartford, CT
  4. Bridgeport, CT
  5. Fort Collins, CO
  6. Nashville, TN
  7. Cleveland, OH
  8. Boston, MA
  9. Raleigh, NC
  10. Phoenix, AZ

 Cities with most Irish dog breeds:

  1. San Francisco, CA
  2. Boston, MA
  3. New York, NY
  4. Seattle, WA
  5. Los Angeles, CA
  6. Chicago, IL
  7. Denver, CO
  8. Phoenix, AZ
  9. Milwaukee, WI
  10. Jacksonville, FL

  Top Irish male dog names:

  1. Cody
  2. Logan
  3. Austin
  4. Owen
  5. Patrick
  6. Liam
  7. Kevin
  8. Connor
  9. Brian
  10. Tristan

 Top Irish female dog names:

  1. Molly
  2. Riley
  3. Fiona
  4. Reagan
  5. Claire
  6. Anna
  7. Kelly
  8. Kennedy
  9. Cassidy
  10. Kara

Top Irish dog names:

1. Lucky

2.Clover

3. Seven

4. Wishbone

5. Charm

Top Irish food & beverage names:

1. Bailey

2. Jameson

3. Guinness

4. Stew

5. Shepherd

For more pets news, click here.

Selfie sticks banned at global attractions, including Art Institute

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"Selfie sticks" have now been banned at a growing list of global tourist attractions, including the Art Institute of Chicago, a French Palace and a British museum.

The devices are used to improve snapshots, but critics say they are obnoxious and potentially dangerous. Officials at Palace of Versailles outside Paris, and Britain's National Gallery in London, announced the bans Wednesday, saying they need to protect artworks and other visitors.

Other places that have put limits on the selfie-stick craze:

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UNITED STATES

Along with the Art Institute of Chicago, the Detroit Institute of Arts, and New York's Museum of Modern Art and the Metropolitan Museum of Art have all banned selfie sticks.

The Smithsonian museums in Washington also banned selfie sticks last week. Cameras and pictures are still allowed, but selfie sticks, tripods and monopods are not. Smithsonian officials say this is a preventative measure to protect visitors and museum objects.

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FRANCE

Unlike Versailles, the Louvre and Centre Georges Pompidou art museums have not banned selfie sticks - yet. The Pompidou - the contemporary art museum whose exterior of colorful tubes and scaffolding looks like a building turned inside out - is studying what, if anything, needs to be done about the phenomenon, Le Monde reported.

Musee d'Orsay, which houses an Impressionist art collection, bans not just selfie sticks, but any photography whatsoever.

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ITALY

Rome's Colosseum banned selfie sticks last month as a security measure, both for the objects on exhibit inside and for the 16,000 daily visitors to the 2,000-year-old monument.

"The twirling around of hundreds of sticks can become unwittingly dangerous," Colosseum spokesman Christiano Brughitta said.

Two American tourists were arrested last week after carving their names into the Colosseum's wall - and then taking a photo with a selfie stick.

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AUSTRIA

Vienna's Albertina, one of the city's top art museums, prohibits selfie sticks. Museum spokeswoman Sarah Wulbrandt says visitors must check-in the sticks before entering.

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BRITAIN

Besides the National Gallery, some English soccer teams have banned the selfie stick from their stadiums.

The National Portrait Gallery, adjacent to the National Gallery, says the sticks are allowed, but "anything that may prove disruptive is reviewed on an ongoing basis." The British Museum is "currently reviewing" its selfie-stick policy.

Some art-lovers praised the idea of a ban.

"If you go into an exhibition, surely the purpose is to see what is on show and not to take umpteen photographs of yourself?" said Bill Doig, a retired doctor visiting the National Portrait Gallery.

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BRAZIL

Soccer stadiums in the South American country have also banned selfie sticks because of their potential use as weapons in fights between rival fans, police say. Selfie sticks were also banned from Brazil's recent Carnival parades in Rio de Janeiro.

Associated Press

Busy Millennials gobble up, drive popularity of 'grocerants'

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Last week, Patrick Wong was right where food-industry experts expected him to be: eating mac and cheese at a table in the perimeter of his neighborhood Whole Foods, surrounded by people doing pretty much the same thing.

"If I had the time to actually cook, I'd just get groceries," said Wong, 27, who lives in Streeterville. "It's a combination of laziness and convenience."

In an effort to take a bigger bite of the food market and appeal to the massive Millennial demographic, grocery stores increasingly are adding restaurant-style options and spawning a new hybrid: the "grocerant." In recent years, consumers have shifted from eating out to eating at home-it used to be half and half, Lempert said, and now food at home accounts for 60 percent of meals-and drugstores, specialty stores and convenience stores all have increased in popularity.

"Supermarkets have lost market share, about 15 percent, to other retailers," said Phil Lempert of supermarketguru.com. "The supermarket [is] trying to recapture consumers by being all things food, looking holistically at food."

Lempert defines "grocerant" as a grocery store that offers groceries as well as prepared foods and "a sit-down dining experience"-a definition that fits several Chicago-area stores that have opened in recent years, such as Whole Foods, Mariano's and Eataly.

The supermarket subset has taken off in recent years, according to Aimee Harvey, managing editor at food-industry consulting firm Technomic. Harvey specializes in "retail meal solutions," or freshly prepared, un-packaged foods. In 2007, that was a $24.8 billion market. In 2013, the market had grown to $34.6 billion-and supermarkets accounted for $19.5 billion of that.

That's because "grocerants" can offer both convenience and quality, Harvey said.

"It's about convenience, it's also about a consumer that wants value," she said. "We're becoming more of a population of foodies, people who are more informed about food."

And one age group in particular is driving grocerant growth: Millennials.

"This is a customer base that's pretty much grown up with things at their fingertips," Harvey said. "They want what they want when they want it. Supermarkets that provide a wide range of dining venues provide that for them."

And there's a reason that food has become such a Millennial focus, Lempert said.

"[Millennials] are very passionate about food, and because of poor-paying jobs and living at home and so on, they were able to gravitate towards food as an affordable, fun way to develop community," he said.

Take Eataly, for example: Shoppers can grab-and-go a cheaper sandwich or sit down for a pricier meal at one of the grocery's in-house restaurants. And Lempert mentioned the oyster bars at Mariano's stores as places young people can congregate around food.

"The oyster bar has been a huge draw for Friday and Saturday night," he said. "You look at the kind of identity a supermarket can get, it really positions them in front of other food stores in a very meaningful way."

So what's next for "grocerants"? Expect smaller grocery stores with a stronger focus on fresh foods, Lempert said. He and Harvey both said the perimeter of the stores, where fresher foods, hot bars and sit-down restaurants generally are located, will be expanding at the expense of the center aisles, which traditionally stock packaged foods and ingredients.

"Of course the customer is always going to need certain center-aisle things," said Harvey. "But as these grocerants really make their mark, it's all about the perimeter of the store."

mcrepeau@redeyechicago.com | @crepeau

Review: The Brass Monkey has throwback tastes

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The Brass Monkey manages a retro theme without succumbing to kitsch. 

Review: The Brass Monkey
401 N. Morgan St. 312-763-3316
Rating: !!! (Out of four) Off to a good start

I came for the fish sticks. And not necessarily to indulge in my delight to see those two words (I'm grimacing out of habit as I type them) on The Brass Monkey's menu, but more out of skepticism. The fish sticks of my childhood have left a dark stain on my perception of all breaded fishy things, particularly of the oblong persuasion. There was something odd about that fishing duck on the box, not to mention the lingering smell, and though my mother will tell you I ate them with reckless abandon (before I knew better), I only remember filing them away in the "questionable" food category, next to bologna, canned cheese and tater tot casserole.

But here I was at The Brass Monkey ready to set those past notions aside for the Atlantic cod "fish styx" off the '70s-inspired munchies menu. The restaurant and bar, which opened in early February in West Town, is like a disco ball mated with a French brasserie and yielded some funky fusions and tastefully '70s decor. I know, "tastefully '70s" might sound like an oxymoron, but there wasn't anything kitschy about The Brass Monkey, save for the bathrooms, but more on that later.

No shag carpet here

With the restaurant so dimly lit, it's easy to overlook some of the subtleties, but you can't miss the brass discs adorning the front door, the mirrored ceilings and the overlapping screens of brass and steel that have been laser-cut with circles and diamonds over the front windows. The floor mimics this pattern with muted brown and gold tiles. That, paired with tunes by Grateful Dead, The Rolling Stones and Steely Dan, my smartphone was the only indication that I was still in the right decade.

Owner Marc Bushala said the concept was an evolution, beginning with an American brasserie, but he was struggling with how to pull it off in the large space. It hit him while watching "American Hustle," inspired by the film's wallpaper, clothes, music and carpet. "It's such a rich period for design," he said. "We've said in the past, 'the decade that taste forgot,' but it's far enough in the past where people are looking back on it and saying there's a lot of really great stuff that came out of the '70s in terms of design." But he didn't want to be cliche, so he nixed all things shag carpet, lava lamps and bell-bottoms and drew upon the era's more sophisticated design. The idea to take menu items from that period followed.

Got the munchies?

Bushala didn't want to pigeonhole the restaurant into one kind of cuisine, and the result is what he calls an American brasserie with some traditional French offerings and twists on French dishes. "Our version of a cassoulet is nothing like the French cassoulet," he said. The main menu also features foie gras torchon three ways ($16), classic lobster bisque ($8-12) and squid ink linguini ($26). A separate Hits of the '70s menu elevates comfort food, such as lamb sloppy joe sliders ($12) and a TV dinner ($24) with salisbury steak, mushroom-port gravy, peas, mashed potatoes and cream corn. "I didn't really know what would resonate most, but [it's] the fact that you can go to a place and can go highbrow and lowbrow and have fun with it," Bushala said. "Like if you wanted an amazing duck dish or ... you wanted tater tots with Velveeta, you can go either way."

My date and I veered toward the retro menu, and along with the fish sticks ($12), we tried the cheese ball (yup) and truffle-mushroom French bread pizza ($18). Those much-anticipated sticks were indeed fishy, but a little lemon and tangy tartar sauce goes a long way, and I didn't have flashbacks of the ducky box of my past. The cheese ball ($12), which was creamier than the standard store-bought party food, was served with Ritz crackers (how classic) and a light and spicy red-pepper jelly to dress it up. The truffle-mushroom pizza was a bed of pillowy French bread and arugula that I wanted to lay in and cover myself up with the melty cheese blanket. I'm sold on the throwback bites, and according to Bushala, the kitchen is already working on expanding that menu with fondue, tater tots and other suggestions from diners.

Gimme little drink

The cocktail selection is rather expansive and still growing, Bushala said, with the help of the beverage director at his other bar, Untitled Supper Club in River North. I told my server I wanted the most creative cocktail on the menu. He gave me the Chicago River Water ($12), with scotch, gin, creme de violet, lemon juice and honey. It wasn't my jam, but I'm not one for sweet and syrupy cocktails. However, the Tang cocktail ($12) my date ordered, with vodka, lemon juice, spiced pear liqueur and cherry heering in a glass with the orange powdered drink around the rim, was both delicious and dangerous, as we couldn't taste the alcohol.

Bushala said the menu includes cocktails from the past, either kept as they are, such as the vieux carre ($14) and the old fashioned or with an interesting spin, such as the Harvey Wallbanger ($12), an iconic cocktail from the '60s and '70s. The Brass Monkey serves its version made with vodka, Galliano, creme de cacao and orange juice garnished with a striped straw made of white and dark chocolate-and it tasted like a dreamy milk chocolate-covered orange. The bar also features a hefty beer list and house wines by Denver-based Infinite Monkey Theorem, which isn't served anywhere else in Illinois, I'm told.

A shot of rhythm and blues

At the very front of the restaurant is a room filled with boxes of vinyl by the hundreds, where guests can shuffle through the stacks of '70s rock, jazz, blues, you name it, and pick albums out to listen on record players and headsets. Bushala said he had to reduce the size of the restaurant to meet zoning requirements, so his creative solution for the unused space was the vinyl library. "When I was a kid ... you'd ride your bike to the record store and spend hours looking through stacks of records," he said. He hopes to have a DJ spinning the vinyl in there soon.

The bathroom is a private kind of place

The restrooms are one place Bushala allowed for some campy decor. There's crushed velvet column seating outside of the individual stalls, which have giant burnt orange doors with gaudy brass handles. But before you get any randy ideas, there's an escort who will show you to an empty stall. Do take advantage of the selection of colognes and perfumes in vintage-looking bottles, though.

The bottom line

Unlike some of its neighbors in Fulton Market to the south, The Brass Monkey isn't all fine dining by design, and it sure doesn't skimp on the experience. From the decor to the menu to the vinyl library, each detail was meticulously well thought-out. It's a bit of a time capsule with plenty of modern twists and a creative menu that's fun for anyone who appreciates a blast from the past. Go for the fish sticks and lambwich; stay for the vinyl and trips down memory lane.

Reporters visit restaurants unannounced and meals are paid for by RedEye. hschroering@redeyechicago.com@redeyeeatdrink

The rest

The Brass Monkey is just one part of a larger complex owned by MAB Capital Management, of which Marc Bushala is managing partner. Consisting of seven buildings, it takes up a whole city block and includes a massive event space and distillery behind the restaurant.

Rooftop: Come spring time, an 8,000-square-foot roof deck will open. "The views from this part of the city are spectacular. ... There are no tall buildings between us and the skyline," Bushala said.

Distillery: Though not up and running yet, the distillery-its working name Blind Pig Distillery-features custom-built equipment from Germany. The "Brass" in the restaurant name is partially a nod to the French word "brasserie," which traditionally was a place that made beer and served food, so opening a distillery seemed to make sense to Bushala, who also owns Angel's Envy bourbon in Louisville, Ky. He said the distillery will produce whiskey, vodka, gin, brandies and other spirits. It also will be open for tours and tastings, and Bushala projects that it will debut sometime this summer.

Event space: The event space, called Morgan Manufacturing, is housed in a building that predates the Chicago Fire. It's been open for several months and has a "completely different vibe," Bushala said. He described it as "industrial chic that's playing off the manufacturing plant that was there" and incorporates repurposed industrial materials into the finishings, such as giant chandeliers made out of motorcycle bike chains and 30-foot walls of copper.

Innovation lab: The space on the second floor houses tenants such as local shoe designer BucketFeet and a Swedish digital marketing agency.

For more Eat & Drink stories, click here.

Disney announces 'Frozen 2'

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Disney officially announced plans to produce a sequel to "Frozen."

The company revealed plans during the Walt Disney Co.'s annual shareholders meeting on Thursday from San Francisco.

The first film's directors Jennifer Lee and Chris Buck are developing the project with producer Peter Del Vecho for Walt Disney Animation Studios, which took home the Oscar for animated feature for the film.

A release date and production details are yet to be announced.

John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, made the announcement with Disney chief Bob Iger, and Josh Gad, who voices the character of Olaf in "Frozen."

The sequel doesn't come as much of a surprise, considering how the first film continues to be a major moneymaking force for Disney's divisions since its release Nov. 22, 2013 -- and helped reinvigorate Walt Disney Animation Studios.

"Frozen" generated nearly $1.3 billion at the box office and has become a merchandising juggernaut, breaking sales records on homevideo and at Disney's stores.

Outside of a Broadway show and the animated short "Frozen Fever, "Disney has kept its "Frozen" sequel plans quiet until now.

"Frozen Fever," which reunites the toon's characters and song writers, will unspool in front of Disney's live-action adaptation of "Cinderella," out in theaters this weekend.

"We enjoyed making 'Frozen Fever' so much and being back in that world with those characters," Lasseter said. "Jennifer Lee and Chris Buck have come up with a great idea for a sequel and you will be hearing a lot more about it and we're taking you back to Arendelle. We are so excited about that."

Disney used its shareholder meeting to also announce details of its next "Star Wars" films, with Rian Johnson's "Star Wars: Episode VIII," to bow May 26, 2017, and Gareth Edwards' standalone "Star Wars" film, "Rogue One" to star Felicity Jones and be released Dec. 16, 2016.

Variety

St. Patrick's Day gas, why is it so bad?

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When St. Patrick's Day in Chicago is over, and the river returns to its natural color, the day-after debauchery usually still involves bagpiping - of the flatulent variety.

As common as the four-leaf clover is a symbol for the Irish holiday, the post-party wind breaking associated with eating traditional St. Patrick's Day grub like corn beef, cabbage, potatoes and carrots is the butt of so many mid-March jokes. But as fun as it is to blow gas and toot puns about the tummy troubles that come along with heavy Irish meals (not to mention drinking), why is it there's such a stinky stigma when it comes to St. Pats?

"There are several things to consider," said registered dietitian Bethany Doerfler, who is a member of Northwestern Medicine's Digestive Health Center. "Any holiday, and it happens that it is St. Patrick's Day, where overindulgence is the hallmark, it creates a scenario for our system where we are throwing more food at it."

To explain why that corned beef and cabbage is causing so much flatulence, you have to first understand the basics of how digestion works. When food - especially large amounts of it - is eaten, natural bacteria inside the intestines go to work breaking it down. When that happens, gases like methane, carbon dioxide and hydrogen are produced. So the more food, the more potential for gas.

But there are some factors, and ingredients, that make St. Pat's meals particularly known for noxious odors.

"Cabbage itself is notorious," she said. The leafy green (white when boiled in a Irish meal, of course) is known for the sulfuric compounds it carries. The gut bacteria that breaks down the sulfur-heavy cabbage produces a gas that's particularly offensive. Think rotten eggs or skunk spray.

But cabbage isn't the only culprit. Because a St. Patrick's Day meal is usually high in fat, the food lingers in the intestines. The longer the meal hangs around, the harder the bacteria have to work to break it down, and the more gas is produced ... and released. 

"Most people will notice that lovely side effect the day after," Doerfler said.

To compound everything, Doerfler explained that consuming copious amount of beer and spirits can also increase gas. Because alcohol is both a bowel stimulant and irritate, the gut works overtime to digest everything that's thrown into it. That's why diarrhea can be more common following a drinking holiday like St. Patrick's Day. As Doerfler explains, the digestive system just wants everything out.

"Largely your intestines are trying to clean themselves," she said. "They will try to dilute (what's inside) by pushing water (through), leading to rapid emptying."

While the gas and less-than-desirable side-effects come with the territory of a big day out, Doerfler said revelers can avoid what she calls a "gut hangover."

Avoiding big greasy meals, staying away from the hair of the dog and hydrating will help a green stomach recover more quickly. Lean proteins, cooked vegetables and fruits in smaller, regular portions are much better for recovery than a huge burger and a bloody mary.

"For any holiday eating, I always encourage people to be part of the festivities, to eat and drink the foods of the day and enjoy," she said. "But try to put a plan in place for over indulging as much as possible."


Grateful Dead show puts Airbnb rentals under watchful eye of landlords

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Here's a heads-up to Chicago renters and condo dwellers: Your building managers know the Deadheads are descending on Chicago in July and they'll be watching who's going in and out of your building with suitcases.

The rise of Airbnb and similar online room-sharing services in Chicago - particularly during the summer months -- already has apartment high-rises and condominium associations clamping down on scofflaws.

More vigilance is coming, now that many downtown Chicago hotels are sold out during the Grateful Dead's 50th anniversary concerts July 3-5, and steep rates are attached to the hotel rooms still available.

"Events like the Fourth of July holiday, there are going to be a lot of people in town that don't necessarily have a place to stay," said Michael Mini, executive vice president of the Chicagoland Apartment Association. "That weekend, which is pretty busy anyway, with the Grateful Dead concert, our members are certainly aware and they're going to be very vigilant about policing their units."

Managers may have their work cut out for them.

Compared with a year ago, Airbnb has seen a 46 percent spike in listings within the city of Chicago alone, to 3,800 listings from 2,600 in March 2014.

As of Wednesday, Airbnb had fewer than 20 listings available July 3-5 for two people in Chicago's 60611 ZIP code, which covers parts of the Streeterville and Gold Coast neighborhoods. The weekend before and after the holiday weekend, there were 69 listings and 67 listings, respectively.

Meanwhile in the South Loop, there was only one listing available for two guests during the holiday weekend, compared with 34 the weekend before and 44 July 10-12.

"The Grateful Dead is a good example but this problem erupts every summer," said David Sugar, a partner at Arnstein & Lehr and co-chair of the firm's condominium law group.

Airbnb last month began collecting and remitting hotel taxes in Chicago, and the city has a vacation-licensing procedure for people who want to rent even part of their apartments, condominiums or single-family homes. But most hosts offering their couches, spare bedrooms and entire units for rent do it under the radar by not putting their exact address in listings, using fake names and meeting visitors off-site to exchange keys.

Building managers are starting to catch on, and it's not just a building's air of exclusivity they are trying to protect. There also is the legal liability for both occupant and the building if something goes horribly wrong.

As a result, managers and other building employees are regularly checking room-sharing websites. In some cases, the locations are obvious from the map or from photos of rooftop pools and gym facilities, amenities that are paid for by year-round residents either in steep rents or association fees.

In one Chicago condo building, one of the job duties listed in the handbook for doormen is asking people who enter the building with suitcases what unit they're headed to and how long they are staying.

The presence of lodgers can be particularly difficult to spot in smaller buildings with no doormen or security cameras. In some of those instances, neighbors act as whistleblowers to their management companies and city officials.

The city is exploring ways to boost compliance with city laws but "we also rely on citizen complaints and encourage residents to report any illegal vacation rentals," said Mika Stambaugh, a spokeswoman with the city's department of business affairs and consumer protection.

Rarely are these rentals permitted by buildings, regardless of whether a city license is sought.

"We check the site," said Tracy Peacock, a regional property manager for Greystar, a manager of several apartment high-rises in downtown Chicago and elsewhere. "We do go on and see if anything is listed. We'll call them and say, 'We saw you.'

"In my experience, it's an innocent victim," she added. "They don't get that there is a lease violation."

The city's landlord-tenant ordinance does allow renters to sublease their apartments under certain conditions, and with proper management approval. But in those cases, leasing offices require people to undergo the same screening process as every tenant. It isn't a process they'd go through - or permit - for someone's weekend visit to Chicago.

Some building leases also specify that residents can't operate businesses out of their apartments.

"They are making money off of it," said Emily Carnes, leasing supervisor at Atwater Apartments. "It's not fair to the tenants. They're coming in and out and you can't screen. You don't know who this Joe Schmoe is next door."

Buildings handle lease violations differently, but generally if a unit is found on Airbnb, managers notify the tenant and ask them to take down the listing. If a tenant does not comply, a lawyer may send a cease-and-desist letter.

Most large apartment management companies in Chicago do not specifically name Airbnb or other short-term online rental services because they don't want to limit themselves. "Airbnb is here today," said Sheila Byrne, executive vice president of property management at The Habitat Co. "There could be somebody else next month."

Some, though, are considering it.

Village Green, an owner and manager of large apartment complexes with properties in the Chicago area is reviewing whether it should include specific language in its leases to ensure the practice doesn't become a problem, said company spokesman Roger Tertocha.

Meanwhile, in Chicago condo buildings, rules governing subleases typically have minimum-stay requirements. Generally, an owner cannot obtain a vacation rental license without the condo board's approval, and Sugar said he's never heard of a board approving such a request.

What he does see, and see much more often, is boards coming down hard on owners who break the rules.

"In certain buildings it has become a plague and the board has pushed back in a very public way," he said. "The fines have been per rental. The user review comments provide a road map of when the unit is rented. The fines, in my experience, can be equal to or greater than the rent."

mepodmolik@tribpub.com

Twitter @mepodmolik

Chicago aims to be world's greenest city on St. Patrick's weekend

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Chicago is going for the title of "greenest city in the world" this weekend for the second year in a row.

"We will have the most buildings lit up in green of any other city in the world," said Blair Ciecko, director of ShamROCK Chicago. "I don't think we should have a problem nabbing the title of greenest city."

Chicago's St. Patrick's Day celebrations will also include countless pub crawls, at least three parades and one very green river.

Some of the city's most prominent buildings and monuments will be illuminated in green Friday through Tuesday. ShamROCK Chicago, the group that organized the lighting, has 15 structures lined up to participate, including Trump Tower, Navy Pier, John Hancock Center, Art Institute of Chicago, Soldier Field and Old St. Patrick's Church. Tourism Ireland created the "greenest city" campaign to get cities to light up landmarks around the world.

People can participate by taking selfies and posting them on social media with the hashtag #ShamROCKChicago. Nineteen stations are sprinkled throughout the city and photos will be projected on the Block Thirty Seven building.

"This project gives Chicagoans the opportunity to display their green pride," Ciecko said. "People feed off each other's energy. Even people who aren't Irish get into it. I really think St. Patrick's Day gives people an opportunity to come together to celebrate something common to this city's culture."

Even politicians are putting differences aside for the celebration. The South Side Irish Parade will include Mayor Rahm Emanuel, challenger Jesus "Chuy" Garcia and Gov. Bruce Rauner. They will march down Western Avenue from 103rd Street in Beverly to 115th Street in Morgan Park on Sunday, said Tom McGourty, chairman of the South Side parade committee.

"We do love having them here," McGourty said. "It's great that they're coming. But it's also not the point of the day. It's about our neighborhood and our Irish heritage. Our focus is on the families and the community."

The change came after the parade was shut down in 2010 and 2011 after public intoxication and assaults marred the 2009 event. More than 315,000 people had been turning out for the march, McGourty said, and it was unsustainable.

"It all started with two guys and their kids marching around the block for a little local parade," McGourty said. "We wanted to get the focus back to that."

There will be a zero tolerance for public drinking during the parade, which goes from noon to 2 p.m.

"After the parade, we can have our house parties, eat corn beef and drink more Guinness than we should," McGourty said. "There are so many kids involved, and we just didn't want to see people drinking around them. Again, it's about the families and embracing our heritage."

Mary Mallee, manager of Fox's, a pub on Western Avenue, said the community prefers the new alcohol policy.

"We are trying to gear things toward families," she said. "It gives them a better sense of community. This is a very family oriented neighborhood. Many people are of Irish descent and have been here for generations. It's a unique celebration in Chicago."

St. Patrick's Day events:

Forever Green Celebration, 6:30 p.m. Friday

Billed as the "largest St. Patrick's Day party in Chicago," the celebration includes a silent auction, bagpipers, Irish dancers, a fiddle-off and appearances by the St. Patrick's Day and South Side Irish Parade queens. The party is at Park West, 322 W. Armitage Ave., and tickets are $55 to $75. Ages 21 and up.

Parade and River Dyeing, 9:30 a.m. Saturday

More than 45 pounds of emerald green vegetable dye will be dumped in the Chicago River between Columbus and Lake Shore drives. Thousands are expected to attend. Hurry - the color only lasts about five hours. The dyeing will be followed by a parade on Columbus Drive and north through Grant Park. The parade - which starts at noon and is in its 60th year - will last about three hours and include flags, floats and bagpipes.

Shoreline Lunch Cruise, 10 a.m., 2 and 3 p.m. Saturday

The 10 a.m. and 2 p.m. cruises are 90-minute tours that explore all three branches of the Chicago River. Lunch includes corned beef, cabbage, bread pudding and Irish beer or Irish coffee. Cost is $49 per person. The 3 p.m. tour is 2 1/2 hours and includes a buffet, green beer and dancing. Cost is $49.90 for adults and $29.95 for children.

Heritage Festival, 1 p.m. Saturday

The Irish American Heritage Center festival includes Irish music and dancing at 4626 N. Knox Ave. Tickets are $12 to $15 for adults and free for children 12 and under.

Emerald Isle Mile, 11 a.m. Sunday

The one-mile race starts at 112th Street and Western Avenue. The route goes north along the parade route and finishes at 104th Street.

South Side Irish Parade, noon Sunday

The Beverly neighborhood parade starts at 103rd Street and proceeds down Western Avenue to 115th Street. Bands, dance troupes and a parade queen will lead the procession. More than 150,000 are expected to attend.

Northwest Side Irish Parade, noon Sunday

Steps off at Onahan School, 6634 W. Raven St., and winds through Norwood Park neighborhood. An after-party begins at 1 p.m. and includes corned beef and cabbage, live entertainment, face painting and a raffle.

Ireland art and design exhibit, March 17-June 7

The Art Institute of Chicago, 111 S. Michigan Ave., will kick off its newest exhibition "Ireland: Crossroads of Art and Design." The gallery includes more than 300 pieces from 18th-century Ireland, including art from more than 24 of Ireland's 32 counties. The ribbon-cutting is at 10 a.m. Tuesday.

lijohnson@tribpub.com

Twitter @lizziejohnsonnn

Andy Samberg to host Emmy Awards

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Andy Samberg is taking center stage at the Emmy Awards.

Fox said Thursday that the star of the network's sitcom "Brooklyn Nine-Nine" will host the September ceremony.

In a statement, Samberg says, "Buckle your seat belts, Emmy viewers!" and promises the audience a wild ride.

Samberg has an Emmy track record: The former "Saturday Night Live" player starred in and co-wrote the lyrics for a satirical "SNL" music video that won a 2007 trophy. The video with Justin Timberlake was about a memorable X-rated Christmas gift in a box.

NBC late-night host Seth Meyers hosted the Emmys last year, when the ceremony aired on his home network.

The 67th Primetime Emmy Awards will air Sept. 20 from the Nokia Theatre in Los Angeles.

Associated Press

 

So long winter, it's tour boat season

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Now that Lake Michigan and the Chicago River are no longer frozen, are you ready to get back on the water?

So long winter, it's time for tour boat season. Chicagoans and tourists can hop aboard a few boats now for a cruise down the river - and a green river on Saturday.

The Shoreline Sightseeing boats got back on the water Thursday while Wendella Sightseeing Boats will make its first trip on Friday.

The 90-minute architectural tours by Chicago Line Cruises start March 27 while the official Chicago Architecture Foundation river tour on the Chicago's First Lady cruise vessel resumes on April 4.

Need a water taxi? You'll have to wait a little bit longer. The Wendella water taxi service will begin on March 30 and Shoreline's water taxi service runs from May and through September.

 

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'Cinderella' is infuriatingly unnecessary

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WHAT IS THE DEAL WITH THE SLIPPER? THE PRINCE HAS SEEN HER FACE! HE DOESN'T NEED TO SEE IF HER FOOT FITS; HE JUST HAS TO LOOK AT HER AND SAY, "YEAH, THAT'S DEFINITELY THE GIRL I'M SEARCHING FOR!"

Sorry. I'm usually not one to capitalize for emphasis. But the new, live-action "Cinderella" really, really made me mad. Like, seething. Like, I want this entire review to be:

WHAT IS THE POINT WHAT IS THE POINT WHAT IS THE POINT WHAT IS THE POINT WHAT IS THE POINT WHAT IS THE POINT WHAT IS THE POINT?!

But that would be absurd. Almost as absurd as taking a story everyone knows and remaking it without any personality/surprise, and a twinkle that's only CGI. Directed by Kenneth "Too Classy to Have Fun" Branagh and written by Chris "No One Would Let Me Write a Movie After 'The Golden Compass'" Weitz, this "Cinderella" is targeted at the one child out there who finds live-action more magical than animation. This tot delights in, say, seeing a man play a lizard temporarily given human form who's forced into enslavement. Enjoy, little tyke. You're literally the only person who should see this movie.

Wait, that's not true. Lily James' family should see it, too. Unlike Lily Collins, who flubbed her breakout as Snow White in "Mirror Mirror," James ("Downton Abbey") can hold the screen. (Meanwhile, Cate Blanchett is wasted as the evil stepmother.) It's not James' fault that this version of Cinderella turns the title character into an inhuman pixie who delights in secret gardens, laughs at the rain, uses "dilly dilly" in her songs and has no emotional range beyond the cheerful and positive. Young children who see this movie may be motivated to become lobotomized, personality-free robots who dream of finding true love in the forest but, when posed with the possibility of becoming royalty, never think to ask, "So, what's the kingdom like? What's the poverty rate? What will I actually be expected to do? And do you find it weird that my only friends are mice?" That they'll also want to be courageous and kind won't really matter, considering the blank smiles they've also been told to adopt.

So many classic stories recently have been adapted into live-action, from "Snow White and the Huntsman" to "Maleficent" to "Alice in Wonderland" (whose Queen, Helena Bonham Carter, is the fairy godmother of "Cinderella"). Cinderella just appeared as Anna Kendrick a few months ago in "Into the Woods," not including many other interpretations, including Hilary Duff's "A Cinderella Story." Stop. Stop doing the same thing over and over again, especially when Disney had 65 years to come up with new ideas from 1950's "Cinderella." Stop telling young girls they should dream of being a princess and a wife and nothing else. Stop making me think of stupid lines like "Bippity boppity boring." It makes me want to vomit.

1 star (out of four) 

 Watch Matt review the week's big new movies Fridays at 11:30 a.m. on NBC.

For more movies, click here.

 

 

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